Produced on tour by MAYK

Aidan Moesby: I was Naked, Smelling of Rain

Ages 14+
Fri 25 Mar
- Sat 26 Mar
Showtime: 7:30pmDoors open: 7:10pm
Sat 26 March performance BSL interpreted
Pay What You Decide
Aidan Moesby’s latest work, ‘I was Naked, Smelling of Rain’ is a performance exploring men's mental health, absence, presence, loneliness and dis/ connectedness through the lens of weather, climate change and wellbeing.
Aidan Moesby is an artist, curator and writer who explores civic and personal wellbeing through a body of work that is at once playful, intimate, questioning and deeply human. His practice is a socially engaged one, rooted in research and response – in conversation of many kinds. He works extensively within arts and health and has a particular interest in the spaces where art, technology and wellbeing intersect. Aidan regularly curates and participates in events and discussions which centre these ideas.
Underpinning his work investigating the dual crises of Climate Change and Mental Health is an exploration into the relationships between the outer ‘physical weather’ we experience, and our ‘internal psycho-emotional weather’. Aidan’s creations are equally likely to be found beyond formal arts institutions as within them and his practice includes both Disability Arts and mainstream representation as artist and curator.
A resident at Pervasive Media Studio, Watershed, Bristol he increasingly makes large scale, tourable works. This includes Sagacity: The Periodic Table of Emotions, an interactive digital installation and Between Stillness and Storm, an off-grid weather responsive installation which premiered at Bluedot Festival in 2017.
His latest work, I was Naked, Smelling of Rain is a performative lecture exploring absence, presence, loneliness and dis/ connectedness through the lens of weather, climate change and wellbeing.
He has worked, exhibited and curated nationally and internationally working with partners such as Dundee Contemporary Arts, Newcastle University, NSUN, WIP:Stockholm, The Tetley, DASH, New Media Scotland, ANAT (AUS), Watershed, Pikene på Broen (NO), Jadraas Art(SE:SU) Arc Stockton and The Sick of the Fringe.
Interpreter: Daryl McMullan
“I was expecting the performance might make me cry. And it did – Aidan’s honesty and vulnerability is deeply moving. I didn’t expect to laugh – but his dry, observational humour made me really crack up. I didn’t expect such a simple stage setting and performance to be so cinematic, so transporting, so rich. I could listen to Aidan – and the rich score that wraps around him – again and again" Clare Reddington CEO Watershed, Bristol.
 "I was Naked, Smelling of Rain has intriguing observations, sensitivity, humour, poignancy and at its heart, a raw honesty about the loneliness and complexities of modern life.” Trish Wheatley DAO
“This revelatory performance was both poignant and humorous - linking external and internal events, using the weather as a metaphor. It was thought provoking and I found myself returning to the themes it raised for several days. Aidan held the stage and audience - you could have heard a pin drop and then he would shift a gear and have everyone laughing" Annabel Turpin, Arc Theatre Stockton.

BSL Interpreter

The Saturday 26 March performance will feature a BSL Interpreter. We recommend booking seats on the right of the stage (when facing the stage) in rows A, C, E, G for best view of the BSL interpreter. If you have any questions about this please email our Audience Experience Manager, Robyn, at info@barbicantheatre.co.uk 

Pay What You Decide!

This is a Pay What You Decide event which means you choose what the show is worth to you!You can decide what you would like to pay now by adding a donation to your booking, or you can pay after you have seen the show at Barbican Theatre.
Looking around at other events going on in the city, we estimate that 1 ticket to similar events would cost £12.
There is no ‘right’ answer, we are not attempting to lead you to a specific figure.
You can pay £0 for your ticket.

Barbican Theatre is a safe space

Safe to be who you are, regardless of race, class, religion, country of origin, immigration status, (dis)ability, age, gender, identity, or sexual orientation.
About Aidan Moesby
Aidan Moesby is an artist, curator and writer who explores civic and personal wellbeing through a body of work that is at once playful, intimate, questioning and deeply human. His practice is a socially engaged one, rooted in research and response – in conversation of many kinds. He works extensively within arts and health and has a particular interest in the spaces where art, technology and wellbeing intersect. Aidan regularly curates and participates in events and discussions which centre these ideas.
Underpinning his work investigating the dual crises of Climate Change and Mental Health is an exploration into the relationships between the outer ‘physical weather’ we experience, and our ‘internal psycho-emotional weather’. Aidan’s creations are equally likely to be found beyond formal arts institutions as within them and his practice includes both Disability Arts and mainstream representation as artist and curator.
A resident at Pervasive Media Studio, Watershed, Bristol he increasingly makes large scale, tourable works. This includes Sagacity: The Periodic Table of Emotions, an interactive digital installation and Between Stillness and Storm, an off-grid weather responsive installation which premiered at Bluedot Festival in 2017.
His latest work, I was Naked, Smelling of Rain is a performative lecture exploring absence, presence, loneliness and dis/ connectedness through the lens of weather, climate change and wellbeing.
He has worked, exhibited and curated nationally and internationally working with partners such as Dundee Contemporary Arts, Newcastle University, NSUN, WIP:Stockholm, The Tetley, DASH, New Media Scotland, ANAT (AUS), Watershed, Pikene på Broen (NO), Jadraas Art(SE:SU) Arc Stockton and The Sick of the Fringe.
For more information on Aidan and his current portfolio please visit aidanmoesby.co.uk
Trigger warning: This show contains themes of depression and mental health
This show contains themes / mentions of depression, suicide, and infant mortality. If you feel overwhelmed during the performance you are welcome to leave the theatre and return at any point.
To find out about other local and national mental health services available you can visit the NHS website. www.nhs.uk
Covid 19 Safety 
The health, safety and comfort of our audiences, colleagues and performers are very important to us.
We have a number of measures in place to ensure your comfort and safety. Enhanced hygiene procedures are in place. The theatre will be aired out between rehearsals and performances (for added covid safety) which can mean the space can feel a tiny bit more chilly even after we shut the doors. Therefore we suggest you wear an extra layer to be safe!
Whilst we suggest that all audience members continue to wear masks we appreciate that many people are choosing not to, so please be aware that people sitting around you may not be wearing a mask. Please get in contact if this is a barrier for you and we can discuss seating logistics and options.
All Barbican Theatre team members will be wearing face masks (unless exempt) and will be regularly lateral flow tested. This includes the team front of house and back stage, and performers.
We continue to monitor the latest guidance from the UK Government.
Please do not attend if you have had a positive covid test, either LFT or PCR.
If you have any questions about your tickets, refunds or exchanges due to covid-related issues please email our Audience Experience Manager, Robyn, at info@barbicantheatre.co.uk
#StaySafe
Venue info
Barbican Theatre
Castle Street
The Barbican
Plymouth
PL1 2NJ
Situated behind the Mayflower Visitor Centre just off the main Barbican road (opposite the 'Prawn' and Mayflower Steps.
info@barbicantheatre.co.uk
Your Visit FAQs (opens in a new tab) - incudes parking, access and Pay What you Decide ticket info.
Seating
Reserved seating is in place.
Seats B5, B6, B7 and B8 are accessible seats.
We ask that you only book these seats if you cannot easily access other seating in our auditorium (or are accompanying someone who cannot)
If you have any specific access requirements (for example wheelchair access) please leave details in the comment box when placing your order or email our Audience Experience Manager, Robyn, at info@barbicantheatre.co.uk and she will arrange this for you.
BSL Interpreter
Saturday's performances will feature a BSL Interpreter. We recommend booking seats on the right of the stage (when facing the stage) in rows A, C, E, G for best view of the BSL interpreter. If you have any questions about this please email our Audience Experience Manager, Robyn, at info@barbicantheatre.co.uk 
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BSL Interpreted Show Leaflet:

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Pay What You Decide

This is a Pay What You Decide event which means you choose what the show is worth to you! You can decide what you would like to pay now by adding a Pay What You Decide 'donation' to your booking (on the next screen), or you can pay after you have seen the show at Barbican Theatre.
Looking around at other events going on in the city, we estimate that 1 ticket to similar events would cost £12.
There is no ‘right’ answer, we are not attempting to lead you to a specific figure.
You can pay £0 for your ticket.

Tickets for this event are no longer available.